Doors 7:30 pm
Pre-Sale Ticketsย here
๐ ๐ฃ๐ฐ๐ฅ๐บ ๐ฅ๐ฐ๐ฆ๐ด ๐ฏ๐ฐ๐ต ๐ค๐ฐ๐ช๐ฏ๐ค๐ช๐ฅ๐ฆ ๐ธ๐ช๐ต๐ฉ ๐ช๐ต๐ด ๐ฑ๐ณ๐ฆ๐ด๐ฆ๐ฏ๐ต.
๐๐ต ๐ค๐ฐ๐ช๐ฏ๐ค๐ช๐ฅ๐ฆ๐ด ๐ธ๐ช๐ต๐ฉ ๐ช๐ต๐ด ๐ฑ๐ฐ๐ต๐ฆ๐ฏ๐ต๐ช๐ข๐ญ.
๐๐ง ๐ต๐ฉ๐ฆ ๐ฃ๐ฐ๐ฅ๐บ ๐ธ๐ฆ๐ณ๐ฆ ๐ข๐ญ๐ญ ๐ข๐ฏ๐ฅ ๐ฐ๐ฏ๐ญ๐บ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ฑ๐ณ๐ฆ๐ด๐ฆ๐ฏ๐ต,
๐ช๐ต ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ฆ ๐ข๐ญ๐ญ ๐ข๐ฏ๐ฅ ๐ฐ๐ฏ๐ญ๐บ ๐ธ๐ฉ๐ข๐ต ๐ช๐ต ๐ช๐ด.
๐๐ฐ๐ต๐ฉ๐ช๐ฏ๐จ ๐ช๐ด ๐ข๐ญ๐ญ ๐ข๐ฏ๐ฅ ๐ฐ๐ฏ๐ญ๐บ ๐ธ๐ฉ๐ข๐ต ๐ช๐ต ๐ช๐ด.
๐๐ฉ๐ฆ ๐ฅ๐ข๐บ๐ด ๐จ๐ญ๐ช๐ต๐ค๐ฉ๐ฆ๐ฅ.
๐๐ฐ๐ฐ ๐ฆ๐ข๐ณ๐ญ๐บ ๐ต๐ฐ ๐ด๐ต๐ฐ๐ฑ.
๐๐ฐ๐ฐ ๐ญ๐ข๐ต๐ฆ ๐ต๐ฐ ๐ต๐ถ๐ณ๐ฏ ๐ฃ๐ข๐ค๐ฌ.
Rafael Anton Irisarriย is an Ibero-American composer, producer, and mastering engineer whose work moves through the overlapping territories of ambient, experimental, and modern classical music. Born in Puerto Rico and now based between Spain and rural New York, he first emerged in Seattleโs 2000s scene under the monikerย The Sight Below, where blurred guitar textures and submerged rhythms met the skeletal pulse of minimal techno.
His sound has since expanded into widescreen landscapes attuned to memory, geography, and the emotional weight of place. His catalog spans early releases on Ghostly International to recent work on Black Knoll Editions, forming a sustained body of work that functions as an archive of atmospheres and afterimages.
Irisarri is the founder of Black Knoll Studio, a mastering house with a catalog that extends across contemporary experimental music. His engineering work has shaped recordings by Ryuichi Sakamoto, Terry Riley, William Basinski, Grouper, Julianna Barwick, MONO, and many others. Long-term collaborations with Abul Mogard and Benoรฎt Pioulard (including three Orcas albums and multiple joint works) form a central thread in his practice.
Ruhail Qaisar is an artist from Leh, Ladakh. His current practice revolves around examining threads of local memory, mythos, and poetics through sound art, compositions, and found sculptures. Involved within various cross-genre projects since 2015, his early noise shows all over India are recalled as sonic palate-cleansers, he debuted with his concept album Fatima (2023) dubbed by The Quietus as โhauntingโ , released on Danse Noire featuring Dis Fig and Elvin Brandhi, with a 48-page photo book publication.
The commissioned hymnal piece for Les Urbaines written in collaboration with Gottfrid Ahman and Michael Anklin , Three Hymns of Cruelty (2022), which delved into the dynamics of Ladakhi procession music, was performed at Arsenic in Lausanne.
In 2024 his residency in Graz, Styria was spent, preparing a 36 channel third order ambisonic composition, Namkhay Rtsima / The Spine of the Sky, for the Musikprotokoll Festival for ORF (รsterreichischer Rundfunk) and the Steirischer Herbstโ 24 at the Dom im Berg.
Rojin Sharafi is a Tehran-born, Vienna-based sound artist, composer, and performer working across electroacoustic music, noise, and experimental electronics. Her visceral sonic language blends analog, acoustic, and digital tools, exploring tension, rupture, and transformation. Praised by The Wire for her โthrilling, variegatedโ sound world, Sharafiโs latest album O.O.Orifice follows critically acclaimed releases including Urns Waiting to be Fed (2019), Zangaar (2020), and Kariz (2021). She also performs with the folk futurist ensemble HUUUM. Her work has been presented internationally, from London to New York, affirming her as a vital voice in experimental music.
